I’d been trying for months to write a poem about Crawdad, a boy my father knew in high school Crawdad had no friends he came to school with mud in his hair smelling like his nickname and the blood of the deer he’d hunted in their redwood-dappled dawn it just seemed to me this guy embodied something the lost art of living wildly plain otherness these ideas got boring one day I looked up “Crawdad” + the name of my father’s town where it turns out the guy’s been contributing articles about his life to the local newspaper eg. his stint as a professional mushroom-picker which put him in contact with itinerant degenerates, fungal in nature and capitalistic to a fault in another post he considers the flaw of narrative, in presuming a story begins or ends he writes only the mud seems permanent, just kind of sitting out there I was like whoa I was like can this be the same....? it was momentarily upsetting like ordering a pipe in the mail and receiving a picture of a pipe people are never who I decided they were they are like piles of snow brief, mutable yes, I thought I felt sorrow it was not sorrow it was the awful pleasure of watching a person jump irreparably out of his own beginning, trout-like
Sophia Tone will soon have her MFA from Hollins University. Her work has appeared in Memo, The Four-Faced Liar, and elsewhere. She is about to go eat lemon-raspberry cake with friends.
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Mitchell Nobis
