had logo

January 15, 2026

shells

Kaitlan Bui

when he was my age, my grandfather would comb the scalp

of the forest for shells, then write letters to the families

of dead bodies he found.

dog tags, they were called, because war

makes humans animal. one time

my grandfather witnessed a soldier splitting open

a cow and stuffing someone inside its stomach,

using one live thing to suffocate another—

the cruelest way to kill. one time

my grandfather pushed me

away when i tried to hug him. one time

he said no too many times. one time

he said yes. one time

my grandfather disappointed me, and i think he wanted to

love me

but did not yet

know how.

 

when he was my age my grandfather won

the lottery and built a house

for his father. years later, after everyone

died, i visited and took

more time than my grandfather ever had

to ask what it means to have

a home. i shot

twenty-one photographs—shot—yes—captured—still

i did it anyway, scooped the soft inside of a history

almost mine while my grandfather sat

on a stool by the cart, closing

his eyes and

letting me.

 

last week i discovered the average lifespan

of an eighty-two-year-old man

is eighty two. i discovered if you split open

a vow, it will probably die. i am trying my best to witness

a life stuffed inside the belly

of a life—and still

i am scared

my grandfather will reach that dark door

at the end of the scalp of the forest trail

before i can account for it all. i ask my grandfather what

is the meaning of life, and in response, he sucks

a toothpick between his gums—shrugs—i don’t know.

what do you mean, ‘i don’t know,’

you’re eighty two, but he stares

at me, the space

behind, the dogs outside,

i don’t know, then he says: do you know?

 

this is the part where i stop

my recording and drop

the pencil and drop

the formality and stop

thinking, for once, about all our damn history.

my knees are knocking against the wood

grain of my grandfather’s

dining room table. he looks at me in silence

with those small freckled eyes.

on his knees rest hands

that know beautiful, terrible letters—

dear family—and the story—or pieces of it—

and the body—or pieces of it, too.

 

if, one day, i fall to the floor

and die, still

there will be words

spilling out of my lips. i love you

will be the phrase i will be saying

even when i’m not saying anything

anymore, even when my body is a shell

of a shell

of a body.